Gray LeGere 

*Music Production/Recording/Editing/Mixing*

Gray Legere is a drummer, composer, and producer whose musical journey began in upstate New York. Introduced to music through plush headphones connected to a Vietnam-era living room turntable, he developed a deep passion for the art form. Immersing himself in the grooves and melodies of Woodstock-era albums by artists like CSNY, Santana, Joe Cocker, and Ritchie Havens, Gray cultivated a love for vocal harmonies, melodies, and deep rhythmic pockets. Influences from The Beatles, The Rolling Stones, Kiss, Rush, Van Halen, and Blondie further motivated him to explore the elements that make classic songs resonate.

Making his way to NYC's Greenwich Village, Gray quickly became a dedicated servant of the song—a commitment that has defined his career. His experience spans various facets of the music industry, including roles in music retail, launching LeGere Productions in Austin, TX, and constructing recording studios from the ground up. As a writer for Not So Modern Drummer Magazine, he contributed the “Drum Tweaking 101” column, sharing his expertise with fellow percussionists.

Gray has engineered and played on music for networks such as Comedy Central, ESPN, and the BBC. His drumming has supported a diverse array of artists across multiple genres, including Curtis Grimes (The Voice), Wade Bowen, Granian (Kill The Alarm), Anne E. DeChant, Patrick Stone (Adler’s Appetite, Budderside), Andy Ackland (Keith Urban, The Eagles), Jimmy Bain (Dio, Rainbow), Garry Foote (Smokey Robinson, Blood Sweat and Tears), Kevin Max (DC Talk), JJ Plasencio (Sixpence None the Richer), Israel Houghton, and singer-songwriters like Jackson Parten, Chris Beall, Denny Herrin, Austin Gilliam, Brendan O’Donnell, and Ry Taylor.

In early 2025, during the process of obtaining an autism diagnosis, Gray experienced a prolific surge in songwriting. For the first time, he began creating music purely for his own satisfaction, unbound by traditional rock, pop, or country frameworks. Now based in the high desert of Northern New Mexico—home to the longest continually inhabited Pueblo in the USA—he finds deep inspiration in the rhythms, traditions, and sounds of Native American music, influences he rarely had the opportunity to incorporate when working with others.

His primary instrument for composing has become the MIDI keyboard, allowing him to shape entire sonic landscapes with the click of a mouse. His songwriting process often begins with a simple melody or bass groove that sparks an emotional response. Once he locks in four bars of a grooving pocket, the rest follows instinctively. Working alone, he embraces a decisive decision-making process, moving forward quickly without external input—a stark contrast to collaborative sessions.

In his live performances, Gray arranges his songs in sections (A, B, C—verse, chorus, bridge, etc.) and creates individual files for each. He loads these sections into his Roland sample pads, enabling him to trigger them live and perform to the tracks. This setup allows for dynamic performances where guest musicians can join him on various instruments to enhance the show, adding an extra layer of excitement and creativity to his live sets.

Beyond the studio, Gray immerses himself in nature. Hiking, camping, and fishing are essential to his creative process, allowing him to connect with the raw sounds and rhythms of the world around him. These experiences seep into his music, shaping an atmosphere that is both grounding and expansive.

Through this newfound autonomy, Legere is forging a sound that is uniquely his own—a fusion of past influences, rhythmic traditions, and personal exploration. Whether behind the kit or composing in solitude, his journey remains one of discovery, expression, and unfiltered creativity.